Cantares de Salomâo 5

O Amado

1 Entrei em meu jardim, minha irmã, minha noiva;ajuntei a minha mirra com as minhas especiarias.Comi o meu favo e o meu mel;bebi o meu vinho e o meu leite.

Poeta

1 Comam, amigos,bebam quanto puderem, ó amados!

A Amada

2 Eu estava quase dormindo,mas o meu coração estava acordado.Escutem! O meu amado está batendo.

O Amado

2 Abra-me a porta, minha irmã,minha querida, minha pomba,minha mulher ideal,pois a minha cabeçaestá encharcada de orvalho;o meu cabelo, da umidade da noite.

A Amada

3 Já tirei a túnica;terei que vestir-me de novo?Já lavei os pés;terei que sujá-los de novo?
4 O meu amado pôs a mão por uma abertura da tranca;meu coração começou a palpitar por causa dele.
5 Levantei-me para abrir-lhe a porta;minhas mãos destilavam mirra,meus dedos vertiam mirra,na maçaneta da tranca.
6 Eu abri, mas o meu amado se fora;o meu amado já havia partido.Quase desmaiei de tristeza!Procurei-o, mas não o encontrei.Eu o chamei, mas ele não respondeu.
7 As sentinelas me encontraramenquanto faziam a ronda na cidade.Bateram-me, feriram-me;e tomaram o meu manto,as sentinelas dos muros!
8 Ó mulheres de Jerusalém, eu as faço jurar:se encontrarem o meu amado,que dirão a ele?Digam-lhe que estou doente de amor.

Amigas (As Mulheres de Jerusalém)

9 Que diferença há entre o seu amado e outro qualquer,ó você, das mulheres a mais linda?Que diferença há entre o seu amado e outro qualquer,para você nos obrigar a tal promessa?

A Amada

10 O meu amado tem a pele bronzeada;ele se destaca entre dez mil.
11 Sua cabeça é como ouro, o ouro mais puro;seus cabelos ondulam ao vento como ramos de palmeira;são negros como o corvo.
12 Seus olhos são como pombasjunto aos regatos de água,lavados em leite,incrustados como joias.
13 Suas faces são como um jardim de especiariasque exalam perfume.Seus lábios são como líriosque destilam mirra.
14 Seus braços são cilindros de ourocom berilo neles engastado.Seu tronco é como marfim polidoadornado de safiras.
15 Suas pernas são colunas de mármore[a]firmadas em bases de ouro puro.Sua aparência é como o Líbano;ele é elegante como os cedros.
16 Sua boca é a própria doçura;ele é mui desejável.Esse é o meu amado, esse é o meu querido,ó mulheres de Jerusalém.

Cantares de Salomâo 5 Commentary

Chapter 5

Christ's answer. (1) The disappointments of the church from her own folly. (2-8) The excellences of Christ. (9-16)

Verse 1 See how ready Christ is to accept the invitations of his people. What little good there is in us would be lost, if he did not preserve it to himself. He also invites his beloved people to eat and drink abundantly. The ordinances in which they honour him, are means of grace.

Verses 2-8 Churches and believers, by carelessness and security, provoke Christ to withdraw. We ought to notice our spiritual slumbers and distempers. Christ knocks to awaken us, knocks by his word and Spirit, knocks by afflictions and by our consciences; thus, ( Revelation 3:20 ) . When we are unmindful of Christ, still he thinks of us. Christ's love to us should engage ours to him, even in the most self-denying instances; and we only can be gainers by it. Careless souls put slights on Jesus Christ. Another could not be sent to open the door. Christ calls to us, but we have no mind, or pretend we have no strength, or we have no time, and think we may be excused. Making excuses is making light of Christ. Those put contempt upon Christ, who cannot find in their hearts to bear a cold blast, or to leave a warm bed for him. See the powerful influences of Divine grace. He put in his hand to unbolt the door, as one weary of waiting. This betokens a work of the Spirit upon the soul. The believer's rising above self-indulgence, seeking by prayer for the consolations of Christ, and to remove every hinderance to communion with him; these actings of the soul are represented by the hands dropping sweet-smelling myrrh upon the handles of the locks. But the Beloved was gone! By absenting himself, Christ will teach his people to value his gracious visits more highly. Observe, the soul still calls Christ her Beloved. Every desertion is not despair. Lord, I believe, though I must say, Lord, help my unbelief. His words melted me, yet, wretch that I was, I made excuses. The smothering and stifling of convictions will be very bitter to think of, when God opens our eyes. The soul went in pursuit of him; not only prayed, but used means, sought him in the ways wherein he used to be found. The watchmen wounded me. Some refer it to those who misapply the word to awakened consciences. The charge to the daughters of Jerusalem, seems to mean the distressed believer's desire of the prayers of the feeblest Christian. Awakened souls are more sensible of Christ's withdrawings than of any other trouble.

Verses 9-16 Even those who have little acquaintance with Christ, cannot but see amiable beauty in others who bear his image. There are hopes of those who begin to inquire concerning Christ and his perfections. Christians, who are well acquainted with Christ themselves, should do all they can to make others know something of him. Divine glory makes him truly lovely in the eyes of all who are enlightened to discern spiritual things. He is white in the spotless innocence of his life, ruddy in the bleeding sufferings he went through at his death. This description of the person of the Beloved, would form, in the figurative language of those times, a portrait of beauty of person and of grace of manners; but the aptness of some of the allusions may not appear to us. He shall come to be glorified in his saints, and to be admired in all that believe. May his love constrain us to live to his glory.

Footnotes 1

Chapter Summary

INTRODUCTION TO SONG OF SOLOMON 5

This chapter begins with Christ's answer to the church's request; in which he informs her, that he was come into his garden, as she desired, and gives an account of what he had done there; and kindly invites his dear friends to feast with him there, So 5:1; Then she relates her case and circumstances, which followed upon this, her sleepy frame, and ungrateful carriage to her beloved; which he resenting, withdrew from her, and this gave her sensible pain, So 5:2-6; what treatment she met with from the watchmen; her charge to the daughters of Jerusalem; and the questions they asked about her beloved, So 5:7-9; which put her upon giving a large description of him, by each of his parts, head, hair So 5:10-15; And the chapter is concluded with a general commendation of him and his loveliness, and a claim of interest in So 5:16.

Cantares de Salomâo 5 Commentaries

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