Salmi 42:1-6

1 Per il Capo de’ musici. Cantico de’ figliuoli di Core. Come la cerva agogna i rivi dell’acque, così l’anima mia agogna te, o Dio.

2 L’anima mia è assetata di Dio, dell’Iddio vivente: Quando verrò e comparirò al cospetto di Dio?

3 Le mie lacrime son diventate il mio cibo giorno e notte, da che mi van dicendo del continuo: Dov’è il tuo Dio?

4 Non posso non ricordare con profonda commozione il tempo in cui procedevo con la folla e la guidavo alla casa di Dio, tra i canti di giubilo e di lode d’una moltitudine in festa.

5 Perché t’abbatti anima mia? perché ti commuovi in me? Spera in Dio, perch’io lo celebrerò ancora; egli è la mia salvezza e il mio Dio.

6 L’anima mia è abbattuta in me; perciò io ripenso a te dal paese del Giordano, dai monti dell’Hermon, dal monte Mitsar.

Salmi 42:1-6 Meaning and Commentary

To the chief Musician, Maschil, for the sons of Korah. Of the word "Maschil," See Gill on "Ps 32:1," title. Korah was he who was at the head of a conspiracy against Moses and Aaron, for which sin the earth opened its mouth, and swallowed alive him and his company, and fire devoured two hundred and fifty more; the history of which is recorded in Numbers 16:1; yet all his posterity were not cut off, Numbers 26:11; some were in David's time porters, or keepers of the gates of the tabernacle, and some were singers; see 1 Chronicles 6:33; and to the chief musician was this psalm directed for them to sing, for they were not the authors of it, as some {b} have thought; but most probably David himself composed it; and it seems to have been written by him, not as representing the captives in Babylon, as Theodoret, but on his own account, when he was persecuted by Saul, and driven out by men from abiding in the Lord's inheritance, and was in a strange land among the Heathen, where he was reproached by them; and everything in this psalm agrees with his state and condition; or rather when he fled from his son Absalom, and was in those parts beyond Jordan, mentioned in this psalm; see 2 Samuel 17:24; so the Syriac inscription, the song which David sung in the time of his persecution, desiring to return to Jerusalem.

{b} So R. Moses in Muis, Gussetius, Ebr. Comment. p. 918, & others.