Cantares 4:8-16

8 Conmigo del Líbano, oh esposa, Conmigo ven del Líbano: Mira desde la cumbre de Amana, Desde la cumbre de Senir y de Hermón, Desde las guaridas de los leones, Desde los montes de los tigres.
9 Prendiste mi corazón, hermana, esposa mía; Has preso mi corazón con uno de tus ojos, Con una gargantilla de tu cuello.
10 ¡Cuán hermosos son tus amores, hermana, esposa mía! ¡Cuánto mejores que el vino tus amores, Y el olor de tus ungüentos que todas las especias aromáticas!
11 Como panal de miel destilan tus labios, oh esposa; Miel y leche hay debajo de tu lengua; Y el olor de tus vestidos como el olor del Líbano.
12 Huerto cerrado eres, mi hermana, esposa mía; Fuente cerrada, fuente sellada.
13 Tus renuevos paraíso de granados, con frutos suaves, De cámphoras y nardos,
14 Nardo y azafrán, Caña aromática y canela, con todos los árboles de incienso; Mirra y áloes, con todas las principales especias.
15 Fuente de huertos, Pozo de aguas vivas, Que corren del Líbano.
16 Levántate, Aquilón, y ven, Austro: Sopla mi huerto, despréndanse sus aromas. Venga mi amado á su huerto, Y coma de su dulce fruta.

Cantares 4:8-16 Meaning and Commentary

INTRODUCTION TO SONG OF SOLOMON 4

In this chapter is contained a large commendation of the church's beauty by Christ; first, more particularly, by an enumeration of several parts, as her eyes, hair, teeth, lips, temples, neck, and breasts, So 4:1-5; and more generally, So 4:7; And having observed where he himself was determined to go, he invites her to go with him; which he enforces, partly from the danger she was exposed unto where she was So 4:6,8; and partly from the comeliness of her person and graces in his esteem; with which he was ravished, and therefore was extremely desirous of her company, So 4:9-11; And then enters into some new descriptions of her; as a garden and orchard, as a spring and fountain, So 4:12-14; all which she makes to be owing to him, So 4:15; And the chapter is closed with an order from Christ to the winds to blow on his garden, and cause the spices of it to flow out; and with an invitation of the church to Christ, to come into his garden, and relax there, So 4:16.

The Reina-Valera Antigua (1602) is in the public domain.