Exodus 30:8-18

8 and again in the evening as he prepares the lamps for lighting, so that there will always be incense burning before God, generation after generation.
9 But don't burn on this Altar any unholy incense or Whole-Burnt-Offering or Grain-Offering. And don't pour out Drink-Offerings on it.
10 Once a year Aaron is to purify the Altar horns. Using the blood of the Absolution-Offering of atonement, he is to make this atonement every year down through the generations. It is most holy to God." The Atonement-Tax
11 God spoke to Moses:
12 "When you take a head count of the Israelites to keep track of them, all must pay an atonement-tax to God for their life at the time of being registered so that nothing bad will happen because of the registration.
13 Everyone who gets counted is to give a half-shekel (using the standard Sanctuary shekel of a fifth of an ounce to the shekel) - a half-shekel offering to God.
14 Everyone counted, age twenty and up, is to make the offering to God.
15 The rich are not to pay more nor the poor less than the half-shekel offering to God, the atonement-tax for your lives.
16 Take the atonement-tax money from the Israelites and put it to the maintenance of the Tent of Meeting. It will be a memorial fund for the Israelites in honor of God, making atonement for your lives." The Washbasin
17 God spoke to Moses:
18 "Make a bronze Washbasin; make it with a bronze base. Place it between the Tent of Meeting and the Altar. Put water in it.

Exodus 30:8-18 Meaning and Commentary

INTRODUCTION TO EXODUS 30

This chapter treats of the altar of incense, its form and use, Ex 30:1-10 of the ransom of the Israelites, with the half shekel when numbered, Ex 30:11-16 of the laver for the priests to wash their hands and feet at before service, Ex 30:17-21 of the anointing oil, the ingredients of it, and what was to be done with it, Ex 30:22-33, and of the perfume, the composition and use of it, Ex 30:34-38.

Published by permission. Originally published by NavPress in English as THE MESSAGE: The Bible in Contemporary Language copyright 2002 by Eugene Peterson. All rights reserved.