Salmos 50:15-23

15 e invoca-me no dia da angústia; eu te livrarei, e tu me glorificarás.
16 Mas ao ímpio diz Deus: Que fazes tu em recitares os meus estatutos, e em tomares o meu pacto na tua boca,
17 visto que aborreces a correção, e lanças as minhas palavras para trás de ti?
18 Quando vês um ladrão, tu te comprazes nele; e tens parte com os adúlteros.
19 Soltas a tua boca para o mal, e a tua língua trama enganos.
20 Tu te sentas a falar contra teu irmão; difamas o filho de tua mãe.
21 Estas coisas tens feito, e eu me calei; pensavas que na verdade eu era como tu; mas eu te argüirei, e tudo te porei � vista.
22 Considerai pois isto, vós que vos esqueceis de Deus, para que eu não vos despedace, sem que haja quem vos livre.
23 Aquele que oferece por sacrifício ações de graças me glorifica; e �quele que bem ordena o seu caminho eu mostrarei a salvação de Deus.

Salmos 50:15-23 Meaning and Commentary

INTRODUCTION TO PSALM 50

\\<>\\. This psalm is called a psalm of Asaph; either because it was composed by him under divine inspiration, since he was a prophet and a seer, 1Ch 25:2, 2Ch 29:30; or because it was delivered to him to be sung in public service, he being a chief musician; see 1Ch 16:7; and so it may be rendered, "a psalm for Asaph"; or "unto Asaph" {o}; which was directed, sent, and delivered to him, and might be written by David; and, as Junius thinks, after the angel had appeared to him, and he was directed where he should build an altar to the Lord, 1Ch 21:18. The Targum, Kimchi, and R. Obadiah Gaon, interpret this psalm of the day of judgment; and Jarchi takes it to be a prophecy of the future redemption by their expected Messiah; and indeed it does refer to the times of the Gospel dispensation; for it treats of the calling of the Gentiles, of the abrogation of legal sacrifices, and of the controversy the Lord would have with the Jews for retaining them, and rejecting pure, spiritual, and evangelical worship. {o} Poal "ipsi Asaph", Tigurine version, Vatablus; "Asapho", Junius & Tremellius, Piscator; so Ainsworth.

The Almeida Atualizada is in the public domain.