Psalms 80:5

5 You put us on a diet of tears, bucket after bucket of salty tears to drink.

Psalms 80:5 Meaning and Commentary

Psalms 80:5

Thou feedest them with the bread of tears
With tears instead of bread, having none to eat; or their bread is mingled with their tears, "dipped" therein, as the Targum; such was their constant grief, and the occasion of it, that they could not cease from tears while they were eating their meals, and so ate them with them F14:

and givest them tears to drink in great measure;
or the wine of tears "three fold", as the Targum. Jarchi interprets it of the captivity of Babylon, which was the third part of the two hundred and ten years of Israel's being in Egypt; which exposition, he says, he learned from R. Moses Hadarsan; but he observes, that some interpret it of the kingdom of Grecia, which was the third distress: and so Kimchi and Arama explain it of the third captivity; but Menachem, as Jarchi says, takes "shalish" to be the name of a drinking vessel, and so does Aben Ezra; the same it may be which the Latins call a "triental", the third part of a pint; unless the Hebrew measure, the "seah", which was the third part of an "ephah", is meant; it is translated a "measure" in ( Isaiah 40:12 ) and seems to design a large one, and so our version interprets it; compare with this ( Isaiah 30:20 ) .


FOOTNOTES:

F14 "----lachrymisque suis jejunia pavit", Ovid. Metamorph. l. 4. Fab. 6.

Psalms 80:5 In-Context

3 God, come back! Smile your blessing smile: That will be our salvation.
4 God, God of the angel armies, how long will you smolder like a sleeping volcano while your people call for fire and brimstone?
5 You put us on a diet of tears, bucket after bucket of salty tears to drink.
6 You make us look ridiculous to our friends; our enemies poke fun day after day.
7 God of the angel armies, come back! Smile your blessing smile: That will be our salvation.
Published by permission. Originally published by NavPress in English as THE MESSAGE: The Bible in Contemporary Language copyright 2002 by Eugene Peterson. All rights reserved.