Exodus 37:1-6

1 Bezalel made the Chest using acacia wood: He made it three and three-quarters feet long and two and a quarter feet wide and deep.
2 He covered it inside and out with a veneer of pure gold and made a molding of gold all around it.
3 He cast four gold rings and attached them to its four feet, two rings on one side and two rings on the other.
4 He made poles from acacia wood, covered them with a veneer of gold,
5 and inserted the poles for carrying the Chest into the rings on the sides.
6 Next he made a lid of pure gold for the Chest, an Atonement-Cover, three and three-quarters feet long and two and a quarter feet wide.

Exodus 37:1-6 Meaning and Commentary

INTRODUCTION TO EXODUS 37

This chapter continues the account of the making of the tabernacle, and the furniture of it, particularly the ark, mercy seat, and cherubim, Ex 37:1-9 the shewbread table, and what appertained to that, Ex 37:10-16 the candlestick, and all the vessels of it, Ex 37:17-24 and the altar of incense, together with the anointing oil, and pure incense, Ex 37:25-29.

because he gave his mind to this work more than the rest of the wise men, it is called by his name. It is a notion of some Jewish writers that the ark was made by Bezaleel, without the help of others; but there is no sufficient reason to be given for it; for other things are equally ascribed to him in this and the following chapter, as the mercy seat with the cherubim, the shewbread table, the candlestick of pure gold, the two altars, the laver of brass, with other things, which are only said to be made by him, because they were made by his direction, and he having the oversight of them while making; wherefore Aben Ezra observes, that this is particularly said for the glory of the ark. Of the ark, and all other things mentioned in this chapter, \\see Gill on "Ex 25:1"\\ &c. to end of chapter, \\see Gill on "Ex 30:1"\\ &c. to end of chapter. 10564-941108-1324-Ex37.2

Published by permission. Originally published by NavPress in English as THE MESSAGE: The Bible in Contemporary Language copyright 2002 by Eugene Peterson. All rights reserved.