Nombres 22:23

23 L'ânesse vit l'ange de l'Eternel qui se tenait sur le chemin, son épée nue dans la main; elle se détourna du chemin et alla dans les champs. Balaam frappa l'ânesse pour la ramener dans le chemin.

Nombres 22:23 Meaning and Commentary

Numbers 22:23

And the ass saw the angel of the Lord standing in the way,
&c.] Which Balaam did not; his eyes being held from seeing him by the power and providence of God, that he might be reproved and rebuked by his ass, to whom God gave power to see, more than to him, as Jarchi notes, so that he had little reason to boast of his visions and revelations, and that he was the man whose eyes were open: the angel stood in the very pathway on which the ass was carrying Balaam: and his sword drawn in his hand; as threatening to destroy him, and as if he was just about to push at him, and signifying hereby not only that he deserved to die, but what death he should die of, namely, by the sword, as he did, ( Numbers 31:8 ) ( 1 Chronicles 21:16 )

and the ass turned aside out of the way;
out of the common road, to save its master and itself, from a natural principle of self-preservation: and went into the field; adjoining to, and that lay along the road side:

and Balaam smote the ass to turn her into the way;
with his staff, as in ( Numbers 22:27 ) to bring her into the common road again.

Nombres 22:23 In-Context

21 Balaam se leva le matin, sella son ânesse, et partit avec les chefs de Moab.
22 La colère de Dieu s'enflamma, parce qu'il était parti; et l'ange de l'Eternel se plaça sur le chemin, pour lui résister. Balaam était monté sur son ânesse, et ses deux serviteurs étaient avec lui.
23 L'ânesse vit l'ange de l'Eternel qui se tenait sur le chemin, son épée nue dans la main; elle se détourna du chemin et alla dans les champs. Balaam frappa l'ânesse pour la ramener dans le chemin.
24 L'ange de l'Eternel se plaça dans un sentier entre les vignes; il y avait un mur de chaque côté.
25 L'ânesse vit l'ange de l'Eternel; elle se serra contre le mur, et pressa le pied de Balaam contre le mur. Balaam la frappa de nouveau.
The Louis Segond 1910 is in the public domain.