Amos 5:1

1 Listen to this, family of Israel, this Message I'm sending in bold print, this tragic warning:

Amos 5:1 Meaning and Commentary

Amos 5:1

Hear ye the word which I take up against you
And which was not his own word, but the word of the Lord; and which he took up, by his direction as a heavy burden as some prophecies are called, and this was; and which, though against them, a reproof for their sins, and denunciation of punishment for them, yet was to be heard; for every word of God is pure, and to be hearkened to, whether for us or against us; since the whole is profitable, either for doctrine and instruction in righteousness, or for reproof and correction. It may be rendered, "which I take up concerning you", or "over you" F26: [even] a lamentation, O house of Israel;
a mournful ditty, an elegiac song over the house of Israel, now expiring, and as it were dead. This word was like Ezekiel's roll, in which were written "lamentation, and mourning, and woe", ( Ezekiel 2:10 ) ; full of mournful matter, misery, and distress, as follows:


FOOTNOTES:

F26 (Mkyle) "de vobis", Tigurine version, Mercerus, Piscator, Cocceius; "super vos", Pagninus, Montanus; "pro vobis", Vatablus.

Amos 5:1 In-Context

1 Listen to this, family of Israel, this Message I'm sending in bold print, this tragic warning:
2 "Virgin Israel has fallen flat on her face. She'll never stand up again. She's been left where she's fallen. No one offers to help her up."
3 This is the Message, God's Word: "The city that marches out with a thousand will end up with a hundred. The city that marches out with a hundred will end up with ten. Oh, family of Israel!"
4 God's Message to the family of Israel: "Seek me and live.
5 Don't fool around at those shrines of Bethel, Don't waste time taking trips to Gilgal, and don't bother going down to Beer-sheba. Gilgal is here today and gone tomorrow and Bethel is all show, no substance."
Published by permission. Originally published by NavPress in English as THE MESSAGE: The Bible in Contemporary Language copyright 2002 by Eugene Peterson. All rights reserved.