Zechariah 5:7

7 And lo! a talent of lead was borne (up from it); and lo! a woman (was) sitting in (the) middle of the pot.

Zechariah 5:7 Meaning and Commentary

Zechariah 5:7

And, behold, there was lifted up a talent of lead
By the angel; since he is afterwards said to cast it upon the mouth of the "ephah". A cicar, or talent of silver, with the Jews, was equal to three thousand shekels, as may be gathered from ( Exodus 38:24-26 ) and weighed a hundred and twenty five pounds F1; or, as others, a hundred and twenty F2, and, according to the more exact account of Dr. Arbuthnot, a hundred and thirteen pounds, ten ounces, one pennyweight, and ten and two seventh grains of our Troy weight. A Babylonish talent, according to Aelianus F3, weighed seventy two Attic pounds; and an Attic mina, or pound, weighed a hundred drachmas; so that it was of the weight of seven thousand two hundred such drachmas. An Alexandrian talent was equal to twelve thousand Attic drachmas; and these the same with a hundred and twenty five Roman libras or pounds; which talent is supposed to be the same with that of Moses. The Roman talent contained seventy two Italic minas, which were the same with the Roman libras {d}. But since the Hebrew word "cicar" signifies anything plain, and what is extended like a cake, as Arias Montanus observes F5, it may here intend a plate of lead, which was laid over the mouth of the "ephah", as a lid unto it; though indeed it is afterwards called (trpwe Nba) , "a stone of lead", and so seems to design a weight. And this [is] a woman that sitteth in the midst of the ephah;
who, in ( Zechariah 5:8 ) , is called "wickedness"; and here represented by a "woman", because, say some, the woman was first in the transgression; or rather because sin is flattering and deceitful, and draws into the commission of it, and so to ruin: and this woman, wickedness, intends wicked men; all the wicked among the Jews, and even all the wicked of the world; who sit in the "ephah", very active and busy in filling up the measure of their sins, and where they sit with great pleasure and delight; very openly and visibly declare their sin, as Sodom, and hide it not; in a very proud and haughty manner, with great boldness and impudence, and in great security, without any concern about a future state, promising themselves impunity here and hereafter. This woman is a very lively emblem of the whore of Rome, sitting as a queen upon many waters; ruling over kings and princes; living deliciously, and in great ease and pleasure filling up the measure of her sins. Kimchi interprets this woman of the ten tribes, who wickedly departed from God, and were as one kingdom.


FOOTNOTES:

F1 Epiphanius de Mensuris & Ponderibus.
F2 Hebraei apud Buxtorf. Lex. Heb. in rad. (rkk) .
F3 Var. Hist. l. 1. c. 22.
F4 See Prideaux's Preface to Connexion vol. 1. p. 18, 19, &c.
F5 Ephron, sive de Siclo, prope finem.

Zechariah 5:7 In-Context

5 And the angel went out, that spake in me (who spoke to me), and said to me, Raise (up) thine eyes, and see, what this thing is that goeth out.
6 And I said, What is it? And he said, This is an amphora, either a pot, going out. And he said, This is the eye of them in all earth (And he said, This is their sin in all the earth).
7 And lo! a talent of lead was borne (up from it); and lo! a woman (was) sitting in (the) middle of the pot.
8 And he said, This is unpiety, either unfaithfulness. And he casted down her in(to) the middle of the pot, and sent a gobbet of lead into the mouth thereof. (And he said, This is Unrighteousness, or Wickedness. And he threw her down into the midst of the pot, and put the piece of lead back into the mouth of the pot.)
9 And I raised mine eyes, and saw, and lo! two women going out, and a spirit in the wings of them; and they had wings as the wings of a kite, and raised the pot betwixt heaven and earth. (And I raised up my eyes, and saw, and lo! two women going out, and the wind in their wings; and they had wings like the wings of a stork, and they raised up the pot between heaven and the earth.)
Copyright © 2001 by Terence P. Noble. For personal use only.