Job 18:1-7

1 Bildad from Shuhah chimed in:
2 "How monotonous these word games are getting! Get serious! We need to get down to business.
3 Why do you treat your friends like slow-witted animals? You look down on us as if we don't know anything.
4 Why are you working yourself up like this? Do you want the world redesigned to suit you? Should reality be suspended to accommodate you?
5 "Here's the rule: The light of the wicked is put out. Their flame dies down and is extinguished.
6 Their house goes dark - every lamp in the place goes out.
7 Their strong strides weaken, falter; they stumble into their own traps.

Job 18:1-7 Meaning and Commentary

INTRODUCTION TO JOB 18

In this chapter is Bildad's second reply to Job, in which he falls with great fury upon him, very sharply inveighs against him, and very highly charges him; the charges he brings against him are talkativeness and inattention to what was said to him, Job 18:1,2; contempt of his friends, impatience under his affliction, and pride and arrogance, as if the whole world, the course of nature and providence, and God himself all must give way to him, Job 18:3,4; nevertheless, he is assured of the miserable state of a wicked man, sooner or later, which is described by the extinction of his light of prosperity, Job 18:5,6; by the defeat of his counsels, being ensnared in a net laid for him, Job 18:7-10; by the terrible judgments of the sword, famine, and pestilence, by one or the other of which he is brought to death, the king of terrors, Job 18:11-14; by the destruction of his habitation and of his posterity, so that he has none to hear his name, or perpetuate his memory, Job 18:15-17; by his being driven out of the world, leaving no issue behind him, to the astonishment of all that knew him, Job 18:18-20; and the chapter is closed with this observation, that this is the common case of wicked and irreligious persons, Job 18:21.

Published by permission. Originally published by NavPress in English as THE MESSAGE: The Bible in Contemporary Language copyright 2002 by Eugene Peterson. All rights reserved.