Tourists And Pilgrims
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This world is no friend to grace. A person who makes a commitment to Jesus Christ as Lord and Savior does not find a crowd immediately forming to applaud the decision or old friends spontaneously gathering around to offer congratulations and counsel. Ordinarily there is nothing directly hostile, but an accumulation of puzzled disapproval and agnostic indifference constitutes, nevertheless, surprisingly formidable opposition.
An old tradition sorts the difficulties we face in the life of faith into the categories of world, flesh and devil.1 We are, for the most part, well warned of the perils of the flesh and the wiles of the devil. Their temptations have a definable shape and maintain a historical continuity. That doesnât make them any easier to resist; it does make them easier to recognize.
The world, though, is protean: each generation has the world to deal with in a new form. World is an atmosphere, a mood.2 It is nearly as hard for a sinner to recognize the worldâs temptations as it is for a fish to discover impurities in the water. There is a sense, a feeling, that things arenât right, that the environment is not whole, but just what it is eludes analysis. We know that the spiritual atmosphere in which we live erodes faith, dissipates hope and corrupts love, but it is hard to put our finger on what is wrong.
Tourists and Pilgrims
One aspect of world that I have been able to identify as harmful to Christians is the assumption that anything worthwhile can be acquired at once. We assume that if something can be done at all, it can be done quickly and efficiently. Our attention spans have been conditioned by thirty-second commercials. Our sense of reality has been flattened by thirty-page abridgments.
It is not difficult in such a world to get a person interested in the message of the gospel; it is terrifically difficult to sustain the interest. Millions of people in our culture make decisions for Christ, but there is a dreadful attrition rate. Many claim to have been born again, but the evidence for mature Christian discipleship is slim. In our kind of culture anything, even news about God, can be sold if it is packaged freshly; but when it loses its novelty, it goes on the garbage heap. There is a great market for religious experience in our world; there is little enthusiasm for the patient acquisition of virtue, little inclination to sign up for a long apprenticeship in what earlier generations of Christians called holiness.
Religion in our time has been captured by the tourist mindset. Religion is understood as a visit to an attractive site to be made when we have adequate leisure. For some it is a weekly jaunt to church; for others, occasional visits to special services. Some, with a bent for religious entertainment and sacred diversion, plan their lives around special events like retreats, rallies and conferences. We go to see a new personality, to hear a new truth, to get a new experience and so somehow expand our otherwise humdrum lives. The religious life is defined as the latest and the newest: Zen, faith healing, human potential, parapsychology, successful living, choreography in the chancel, Armageddon. Weâll try anythingâuntil something else comes along.
I donât know what it has been like for pastors in other cultures and previous centuries, but I am quite sure that for a pastor in Western culture at the dawn of the twenty-first century, the aspect of world that makes the work of leading Christians in the way of faith most difficult is what Gore Vidal has analyzed as âtodayâs passion for the immediate and the casual.â3 Everyone is in a hurry. The persons whom I lead in worship, among whom I counsel, visit, pray, preach and teach, want shortcuts. They want me to help them fill out the form that will get them instant credit (in eternity). They are impatient for results. They have adopted the lifestyle of a tourist and only want the high points. But a pastor is not a tour guide. I have no interest in telling apocryphal religious stories at and around dubiously identified sacred sites. The Christian life cannot mature under such conditions and in such ways.
Friedrich Nietzsche, who saw this area of spiritual truth at least with great clarity, wrote, âThe essential thing âin heaven and earthâ is . . . that there should be long obedience in the same direction; there thereby results, and has always resulted in the long run, something which has made life worth living.â4 It is this âlong obedience in the same directionâ which the mood of the world does so much to discourage.
For recognizing and resisting the stream of the worldâs ways there are two biblical designations for people of faith that are extremely useful: disciple and pilgrim. Disciple (mathetes) says we are people who spend our lives apprenticed to our master, Jesus Christ. We are in a growing-learning relationship, always. A disciple is a learner, but not in the academic setting of a school-room, rather at the work site of a craftsman. We do not acquire information about God but skills in faith.
Pilgrim (parepidemos) tells us we are people who spend our lives going someplace, going to God, and whose path for getting there is the way, Jesus Christ. We realize that âthis world is not my homeâ and set out for âthe Fatherâs house.â Abraham, who âwent out,â is our archetype. Jesus, answering Thomasâs question âMaster, we have no idea where youâre going. How do you expect us to know the road?â gives us directions: âI am the Road, also the Truth, also the Life. No one gets to the Father apart from meâ (Jn 14:5-6). The letter to the Hebrews defines our program: âDo you see what this meansâall these pioneers who blazed the way, all these veterans cheering us on? It means weâd better get on with it. Strip down, start runningâand never quit! No extra spiritual fat, no parasitic sins. Keep your eyes on Jesus, who both began and finished this race weâre inâ (Heb 12:1-2).
A Dog-Eared Songbook
In the pastoral work of training people in discipleship and accompanying them in pilgrimage, I have found, tucked away in the Hebrew Psalter, an old dog-eared songbook. I have used it to provide continuity in guiding others in the Christian way and directing people of faith in the conscious and continuous effort that develops into maturity in Christ. The old songbook is called, in Hebrew, shiray hammalothâSongs of Ascents. The songs are the psalms numbered 120 through 134 in the book of Psalms. These fifteen psalms were likely sung, possibly in sequence, by Hebrew pilgrims as they went up to Jerusalem to the great worship festivals. Topographically Jerusalem was the highest city in Palestine, and so all who traveled there spent much of their time ascending.5 But the ascent was not only literal, it was also a metaphor: the trip to Jerusalem acted out a life lived upward toward God, an existence that advanced from one level to another in developing maturityâwhat Paul described as âthe goal, where God is beckoning us onwardâto Jesusâ (Phil 3:14).
Three times a year faithful Hebrews made that trip (Ex 23:14-17; 34:22-24). The Hebrews were a people whose salvation had been accomplished in the exodus, whose identity had been defined at Sinai and whose preservation had been assured in the forty years of wilderness wandering. As such a people, they regularly climbed the road to Jerusalem to worship. They refreshed their memories of Godâs saving ways at the Feast of Passover in the spring; they renewed their commitments as Godâs covenanted people at the Feast of Pentecost in early summer; they responded as a blessed community to the best that God had for them at the Feast of Tabernacles in the autumn. They were a redeemed people, a commanded people, a blessed people. These foundational realities were preached and taught and praised at the annual feasts. Between feasts the people lived these realities in daily discipleship until the time came to go up to the mountain city again as pilgrims to renew the covenant.
This picture of the Hebrews singing these fifteen psalms as they left their routines of discipleship and made their way from towns and villages, farms and cities, as pilgrims up to Jerusalem has become embedded in the Christian devotional imagination. It is our best background for understanding life as a faith-journey.
We know that our Lord from a very early age traveled to Jerusalem for the annual feasts (Lk 2:41-42). We continue to identify with the first disciples, who âset out for Jerusalem. Jesus had a head start on them, and they were following, puzzled and not just a little afraidâ (Mk 10:32). We also are puzzled and a little afraid, for there is wonder upon unexpected wonder on this road, and there are fearful specters to be met. Singing the fifteen psalms is a way both to express the amazing grace and to quiet the anxious fears.
There are no better âsongs for the roadâ for those who travel the way of faith in Christ, a way that has so many continuities with the way of Israel. Since many (not all) essential items in Christian discipleship are incorporated in these songs, they provide a way to remember who we are and where we are going. I have not sought to produce scholarly expositions of these psalms but to offer practical meditations that use these tunes for stimulus, encouragement and guidance. If we learn to sing them well, they can be a kind of vade mecum for a Christianâs daily walk.
Between the Times
Paul Tournier, in A Place for You, describes the experience of being in betweenâbetween the time we leave home and arrive at our destination; between the time we leave adolescence and arrive at adulthood; between the time we leave doubt and arrive at faith.6 It is like the time when a trapeze artist lets go the bar and hangs in midair, ready to catch another support: it is a time of danger, of expectation, of uncertainty, of excitement, of extraordinary aliveness.
Christians will recognize how appropriately these psalms may be sung between the times: between the time we leave the worldâs environment and arrive at the Spiritâs assembly; between the time we leave sin and arrive at holiness; between the time we leave home on Sunday morning and arrive in church with the company of Godâs people; between the time we leave the works of the law and arrive at justification by faith. They are songs of transition, brief hymns that provide courage, support and inner direction for getting us to where God is leading us in Jesus Christ.
Meanwhile the world whispers, âWhy bother? There is plenty to enjoy without involving yourself in all that. The past is a graveyardâignore it; the future is a holocaustâavoid it. There is no payoff for discipleship, there is no destination for pilgrimage. Get God the quick way; buy instant charisma.â But other voices speakâif not more attractively, at least more truly. Thomas Szasz, in his therapy and writing, has attempted to revive respect for what he calls the âsimplest and most ancient of human truths: namely, that life is an arduous and tragic struggle; that what we call âsanity,â what we mean by ânot being schizophrenic,â has a great deal to do with competence, earned by struggling for excellence; with compassion, hard won by confronting conflict; and with modesty and patience, acquired through silence and suffering.â7 His testimony validates the decision of those who commit themselves to explore the world of the Songs of Ascents, who mine them for wisdom and sing them for cheerfulness.
These psalms were no doubt used in such ways by the multitudes Isaiah described as saying, âCome, letâs climb Godâs mountain, go to the House of the God of Jacob. Heâll show us the way he works so we can live the way weâre madeâ (Is 2:3). They are also evidence of what Isaiah promised when he said, âYou will sing! sing through an all-night holy feast; your hearts will burst with song, make music like the sounds of flutes on parade, en route to the mountain of God, on their way to the Rock of Israelâ (Is 30:29).
Everyone who travels the road of faith requires assistance from time to time. We need cheering up when spirits flag; we need direction when the way is unclear. One of Paul Goodmanâs âlittle prayersâ expresses our needs:
On the highroad to death
trudging, not eager to get
to that city, yet the way is
still too long for my patience
âteach me a travel song,
Master, to march along
as we boys used to shout
when I was a young scout.8
For those who choose to live no longer as tourists but as pilgrims, the Songs of Ascents combine all the cheerfulness of a travel song with the practicality of a guidebook and map. Their unpretentious brevity is excellently described by William Faulkner. âThey are not monuments, but footprints. A monument only says, âAt least I got this far,â while a footprint says, âThis is where I was when I moved again.ââ9