Isaiah 23:16

16 Take a harp, go about the city, thou harlot that hast been forgotten; make sweet melody, sing the song again that thou may be remembered.

Isaiah 23:16 Meaning and Commentary

Isaiah 23:16

Take a harp, go about the city
As harlots used to do, that by their music, both vocal and instrumental, they might allure men into their company to commit fornication with them; so Tyre is directed to, or rather this is a prophecy that she should take very artful and ensnaring methods to restore her commerce and merchandise:

thou harlot that hast been forgotten; (See Gill on Isaiah 23:15):

make sweet melody;
or, "do well by striking" F11; that is, the harp in her hand; strike it well with art and skill, so as to make melody, and give pleasure:

sing many songs;
or, "multiply a song" F12; sing one after another, till the point is carried aimed at:

that thou mayest be remembered;
men may took at thee again, and trade with thee as formerly, who had been so long forgotten and neglected.


FOOTNOTES:

F11 (Ngn ybyjh) "benefac pulsando", Junius; "belle pulsa", Piscator.
F12 (ryv ybrh) "multiplica cantum", Piscator.

Isaiah 23:16 In-Context

14 Howl, ye ships of Tarshish, for your strength is laid waste.
15 And it shall come to pass in that day that Tyre shall be forgotten seventy years according to the days of one king; after the end of seventy years Tyre shall sing as a harlot.
16 Take a harp, go about the city, thou harlot that hast been forgotten; make sweet melody, sing the song again that thou may be remembered.
17 And it shall come to pass after the end of seventy years, that the LORD will visit Tyre, and she shall turn to her hire and shall commit fornication again with all the kingdoms of the world upon the face of the earth.
18 But her profit and her hire shall be consecrated unto the LORD: it shall not be treasured nor laid up for her profit shall be for those that dwell before the LORD, to eat until they are filled and to dress honourably.
The Jubilee Bible (from the Scriptures of the Reformation), edited by Russell M. Stendal, Copyright © 2000, 2001, 2010