1 Kings 22:10

10 Meanwhile, the king of Israel and Jehoshaphat were seated on their thrones, dressed in their royal robes, resplendent in front of the Samaria city gates. All the prophets were staging a prophecy-performance for their benefit.

1 Kings 22:10 Meaning and Commentary

1 Kings 22:10

And the king of Israel, and Jehoshaphat the king of Judah, sat
each on his throne
In great state and majesty:

having put on their robes;
their royal robes, which they wore when they appeared in pomp and grandeur:

in a void place in the entrance of the gate of Samaria;
where courts of judicature were held, and there was an open void space for the people to assemble in to hear; the word has the signification of a corn floor, and the Jews suppose they and their attendants sat in a semicircle like the half of a corn floor, after the same manner in which they say the sanhedrim at Jerusalem sat F15:

and all the prophets prophesied before them;
concerning this affair of going to Ramothgilead.


FOOTNOTES:

F15 T. Bab. Cholin, fol. 5. 1. Vid. Kimchium in loc.

1 Kings 22:10 In-Context

8 The king of Israel told Jehoshaphat, "As a matter of fact, there is still one such man. But I hate him. He never preaches anything good to me, only doom, doom, doom - Micaiah son of Imlah." "The king shouldn't talk about a prophet like that," said Jehoshaphat.
9 So the king of Israel ordered one of his men, "On the double! Get Micaiah son of Imlah."
10 Meanwhile, the king of Israel and Jehoshaphat were seated on their thrones, dressed in their royal robes, resplendent in front of the Samaria city gates. All the prophets were staging a prophecy-performance for their benefit.
11 Zedekiah son of Kenaanah had even made a set of iron horns, and brandishing them called out, "God's word! With these horns you'll gore Aram until there's nothing left of him!"
12 All the prophets chimed in, "Yes! Go for Ramoth Gilead! An easy victory! God's gift to the king!"
Published by permission. Originally published by NavPress in English as THE MESSAGE: The Bible in Contemporary Language copyright 2002 by Eugene Peterson. All rights reserved.