Common English Bible CEB
The Message Bible MSG
1 Now as for Solomon's palace, it took thirteen years for him to complete its construction.
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It took Solomon another thirteen years to finish building his own palace complex.
2 He built the Forest of Lebanon Palace one hundred fifty feet in length, seventy-five feet in width, and forty-five feet in height. It had four rows of cedar columns with cedar engravings above the columns.
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He built the Palace of the Forest of Lebanon a hundred and fifty feet long, seventy-five feet wide, and forty-five feet high.
3 The palace's cedar roof stood above forty-five beams resting on the columns, fifteen beams to each row.
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There were four rows of cedar columns supporting forty-five cedar beams, fifteen in each row, and then roofed with cedar.
4 Three sets of window frames faced each other.
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Windows in groupings of three were set high in the walls on either side.
5 All the doorframes were rectangular, facing each other in three sets.
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All the doors were rectangular and arranged symmetrically.
6 He made a porch with columns seventy-five feet long and forty-five feet wide. Another porch was in front of these with roofed columns in front of them.
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He built a colonnaded courtyard seventy-five feet long and forty-five wide. It had a roofed porch at the front with ample eaves.
7 He made the throne room the Hall of Justice, where he would judge. It was covered with cedar from the lower to the upper levels.
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He built a court room, the Hall of Justice, where he would decide judicial matters, and paneled it with cedar.
8 The royal residence where Solomon lived was behind this hall. It had a similar design. Solomon also made a similar palace for his wife, Pharaoh's daughter.
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He built his personal residence behind the Hall on a similar plan. Solomon also built another one just like it for Pharaoh's daughter, whom he had married.
9 He built all these with the best stones cut to size, sawed with saws, back and front, from the foundation to the highest points and from the outer boundary to the great courtyard.
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No expense was spared - everything here, inside and out, from foundation to roof was constructed using high-quality stone, accurately cut and shaped and polished.
10 The foundation was laid with large stones of high quality, some of fifteen feet and some of twelve feet.
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The foundation stones were huge, ranging in size from twelve to fifteen feet, and of the very best quality.
11 Above them were high-quality stones cut to measure, as well as cedar.
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The finest stone was used above the foundation, shaped to size and trimmed with cedar.
12 The surrounding great courtyard had three rows of cut stones and a row of trimmed cedar just like the inner courtyard of the LORD's temple and its porch.
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The courtyard was enclosed with a wall made of three layers of stone and topped with cedar timbers, just like the one in the porch of The Temple of God.
13 Then King Solomon sent a message and brought Hiram from Tyre.
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King Solomon sent to Tyre and asked Hiram (not the king; another Hiram) to come.
14 Hiram's mother was a widow from the tribe of Naphtali. His father was a Tyrian skilled in bronze work. He was amazingly skillful in the techniques and knowledge for doing all kinds of work in bronze. He came to King Solomon and did all his work.
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Hiram's mother was a widow from the tribe of Naphtali. His father was a Tyrian and a master worker in bronze. Hiram was a real artist - he could do anything with bronze. He came to King Solomon and did all the bronze work.
15 He cast two bronze pillars. Each one was twenty-seven feet high and required a cord of eighteen feet to reach around it.
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First he cast two pillars in bronze, each twenty-seven feet tall and eighteen feet in circumference.
16 He made two capitals of cast bronze for the tops of the columns. They were each seven and a half feet high.
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He then cast two capitals in bronze to set on the pillars; each capital was seven and a half feet high
17 He made an intricate network of chains for the capitals on top of the columns, seven for each capital.
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and flared at the top in the shape of a lily. Each capital was dressed with an elaborate filigree of seven braided chains and a double row of two hundred pomegranates, setting the pillars off magnificently.
18 He made the pillars and two rows of pomegranates for each network to adorn each of the capitals.
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19 The capitals on top of the columns in the porch were made like lilies, each six feet high.
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20 Above the round-shaped part and next to the network were two hundred pomegranates. These were placed in rows around both of the capitals on top of the columns.
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21 He set up the columns at the temple's porch. He named the south column Jachin. The north column he named Boaz.
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He set the pillars up in the entrance porch to The Temple; the pillar to the south he named Security (Jachin) and the pillar to the north Stability (Boaz).
22 After putting the lily shapes on top of the columns, he was finished with the columns.
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The capitals were in the shape of lilies.
23 He also made a tank of cast metal called the Sea. It was circular in shape, fifteen feet from rim to rim, seven and a half feet high, forty-five feet in circumference.
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Hiram's next project was to make the Sea - an immense round basin of cast metal fifteen feet in diameter, seven and a half feet tall, and forty-five feet in circumference.
24 Under the rim were two rows of gourds completely encircling it, ten every eighteen inches, each cast in its mold.
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Just under the rim there were two bands of decorative gourds, ten gourds to each foot and a half. The gourds were cast in one piece with the Sea.
25 The Sea rested on twelve oxen with their backs toward the center, three facing north, three facing west, three facing south, and three facing east.
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The Sea was set on twelve bulls, three facing north, three facing west, three facing south, and three facing east; the bulls faced outward supporting the Sea on their hindquarters.
26 The Sea was as thick as the width of a hand. Its rim was shaped like a cup or an open lily blossom. It could hold two thousand baths.
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The Sea was three inches thick and flared at the rim like a cup, or like a lily. It held about 11,500 gallons.
27 He also made ten bronze stands. Each was six feet long, six feet wide, and four and a half feet high.
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Hiram also made ten washstands of bronze. Each was six feet square and four and a half feet tall.
28 This is how each stand was made: There were panels connected between the legs.
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They were made like this: Panels were fastened to the uprights.
29 Lions, bulls, and winged otherworldly creatures appeared on the panels between the legs. On the legs above and below the lions and bulls were wreaths on panels hanging off the stands.
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Lions, bulls, and cherubim were represented on the panels and uprights. Beveled wreath-work bordered the lions and bulls above and below.
30 There were four bronze wheels with bronze axles for each stand. There were four feet and supports cast for each basin with wreaths on their sides.
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Each stand was mounted on four bronze wheels with bronze axles. The uprights were cast with decorative relief work.
31 Inside the bowl was an opening eighteen inches deep. The opening was round, measuring twenty-seven inches, with engravings. The panels of the stands were square rather than round.
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Each stand held a basin on a circular engraved support a foot and a half deep set on a pedestal two and a quarter feet square. The washstand itself was square.
32 There were four wheels beneath the panels. The axles of the wheels were attached to the stand. Each wheel was twenty-seven inches in height.
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The axles were attached under the stand and the wheels fixed to them. The wheels were twenty-seven inches in diameter;
33 The construction of the wheels resembled chariot wheels. The axles, rims, spokes, and hubs were all made of cast metal.
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they were designed like chariot wheels. Everything - axles, rims, spokes, and hubs - was of cast metal.
34 There was a handle on each of the four corners of every stand, projecting from the side of the stand.
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There was a handle at the four corners of each washstand, the handles cast in one piece with the stand.
35 The top of the stand had a band running around the perimeter that was nine inches deep. The stand had its own supports and panels.
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At the top of the washstand there was a ring about nine inches deep. The uprights and handles were cast with the stand.
36 On the surfaces of the supports and panels he carved winged otherworldly creatures, lions, and palm trees with wreaths everywhere.
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Everything and every available surface was engraved with cherubim, lions, and palm trees, bordered by arabesques.
37 In this manner he made ten stands, each one cast in a single mold of the same size and shape.
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The washstands were identical, all cast in the same mold.
38 He made ten bronze washbasins, each able to hold forty baths. Every washbasin was six feet across, and there was one for each of the ten stands.
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He also made ten bronze washbasins, each six feet in diameter with a capacity of 230 gallons, one basin for each of the ten washstands.
39 He placed five stands on the south of the temple and five on the north of the temple. He placed the Sea at the southeast corner of the temple.
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He arranged five stands on the south side of The Temple and five on the north. The Sea was placed at the southeast corner of The Temple.
40 Hiram made the basins, shovels, and bowls. And so Hiram finished his work on the LORD's temple for King Solomon:
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Hiram then fashioned the various utensils: buckets and shovels and bowls. Hiram completed all the work he set out to do for King Solomon on The Temple of God:
41 two columns; two circular capitals on top of the columns; two networks, adorning the two circular capitals on top of the columns;
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two pillars; two capitals on top of the pillars; two decorative filigrees for the capitals;
42 four hundred pomegranates for the two networks, with two rows of pomegranates for each network that adorned the two circular capitals on top of the columns;
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four hundred pomegranates for the two filigrees (a double row of pomegranates for each filigree);
43 ten stands with ten basins on them;
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ten washstands each with its washbasin; one Sea;
44 one Sea; twelve oxen beneath the Sea;
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twelve bulls under the Sea;
45 and the pots, shovels, and bowls. All the equipment that Hiram made for King Solomon for the LORD's temple was made from polished bronze.
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miscellaneous buckets, shovels, and bowls.
46 The king cast it in clay molds in the Jordan Valley between Succoth and Zarethan.
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He cast them in clay in a foundry on the Jordan plain between Succoth and Zarethan.
47 Due to the very large number of objects, Solomon didn't even try to weigh the bronze.
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These artifacts were never weighed - there were far too many! Nobody has any idea how much bronze was used.
48 Solomon also made all the equipment for the LORD's temple: the gold altar; the gold table for the bread of the presence;
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Solomon was also responsible for all the furniture and accessories in The Temple of God: the gold Altar; the gold Table that held the Bread of the Presence;
49 the lampstands of pure gold, five on the right and five on the left in front of the inner sanctuary; the flowers, the lamps, and the tongs of gold;
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the pure gold candelabras, five to the right and five to the left in front of the Inner Sanctuary; the gold flowers, lamps, and tongs;
50 the cups, wick trimmers, bowls, ladles, and censers of pure gold; and the gold sockets for the doors to the most holy place and for the doors to the main hall.
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the pure gold dishes, wick trimmers, sprinkling bowls, ladles, and censers; the gold sockets for the doors of the Inner Sanctuary, the Holy of Holies, used also for the doors of the Main Sanctuary.
51 When all King Solomon's work on the LORD's temple was finished, he brought the silver, gold, and all the objects his father David had dedicated and put them in the treasuries of the LORD's temple.
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That completed all the work King Solomon did on The Temple of God. He then brought in the items consecrated by his father David, the silver and the gold and the artifacts. He placed them all in the treasury of God's Temple.
Copyright © 2011 Common English Bible
Published by permission. Originally published by NavPress in English as THE MESSAGE: The Bible in Contemporary Language copyright 2002 by Eugene Peterson. All rights reserved.