Cantares 5

1 YO vine á mi huerto, oh hermana, esposa mía: Cogido he mi mirra y mis aromas; He comido mi panal y mi miel, Mi vino y mi leche he bebido. Comed, amigos; Babed, amados, y embriagaos.
2 Yo dormía, pero mi corazón velaba: La voz de mi amado que llamaba: Abreme, hermana mía, amiga mía, paloma mía, perfecta mía; Porque mi cabeza está llena de rocío, Mis cabellos de las gotas de la noche.
3 Heme desnudado mi ropa; ¿cómo la tengo de vestir? He lavado mis pies; ¿cómo los tengo de ensuciar?
4 Mi amado metió su mano por el agujero, Y mis entrañas se conmovieron dentro de mí.
5 Yo me levanté para abrir á mi amado, Y mis manos gotearon mirra, Y mis dedos mirra que corría Sobre las aldabas del candado.
6 Abrí yo á mi amado; Mas mi amado se había ido, había ya pasado: Y tras su hablar salió mi alma: Busquélo, y no lo hallé; Llamélo, y no me respondió.
7 Halláronme los guardas que rondan la ciudad: Hiriéronme, llagáronme, Quitáronme mi manto de encima los guardas de los muros.
8 Yo os conjuro, oh doncellas de Jerusalem, si hallareis á mi amado, Que le hagáis saber cómo de amor estoy enferma.
9 ¿Qué es tu amado más que otro amado, Oh la más hermosa de todas las mujeres? ¿Qué es tu amado más que otro amado, Que así nos conjuras?
10 Mi amado es blanco y rubio, Señalado entre diez mil.
11 Su cabeza, como, oro finísimo; Sus cabellos crespos, negros como el cuervo.
12 Sus ojos, como palomas junto á los arroyos de las aguas, Que se lavan con leche, y a la perfección colocados.
13 Sus mejillas, como una era de especias aromáticas, como fragantes flores: Sus labios, como lirios que destilan mirra que trasciende.
14 Sus manos, como anillos de oro engastados de jacintos: Su vientre, como claro marfil cubierto de zafiros.
15 Sus piernas, como columnas de mármol fundadas sobre basas de fino oro: Su aspecto como el Líbano, escogido como los cedros.
16 Su paladar, dulcísimo: y todo él codiciable. Tal es mi amado, tal es mi amigo, Oh doncellas de Jerusalem.

Cantares 5 Commentary

Chapter 5

Christ's answer. (1) The disappointments of the church from her own folly. (2-8) The excellences of Christ. (9-16)

Verse 1 See how ready Christ is to accept the invitations of his people. What little good there is in us would be lost, if he did not preserve it to himself. He also invites his beloved people to eat and drink abundantly. The ordinances in which they honour him, are means of grace.

Verses 2-8 Churches and believers, by carelessness and security, provoke Christ to withdraw. We ought to notice our spiritual slumbers and distempers. Christ knocks to awaken us, knocks by his word and Spirit, knocks by afflictions and by our consciences; thus, ( Revelation 3:20 ) . When we are unmindful of Christ, still he thinks of us. Christ's love to us should engage ours to him, even in the most self-denying instances; and we only can be gainers by it. Careless souls put slights on Jesus Christ. Another could not be sent to open the door. Christ calls to us, but we have no mind, or pretend we have no strength, or we have no time, and think we may be excused. Making excuses is making light of Christ. Those put contempt upon Christ, who cannot find in their hearts to bear a cold blast, or to leave a warm bed for him. See the powerful influences of Divine grace. He put in his hand to unbolt the door, as one weary of waiting. This betokens a work of the Spirit upon the soul. The believer's rising above self-indulgence, seeking by prayer for the consolations of Christ, and to remove every hinderance to communion with him; these actings of the soul are represented by the hands dropping sweet-smelling myrrh upon the handles of the locks. But the Beloved was gone! By absenting himself, Christ will teach his people to value his gracious visits more highly. Observe, the soul still calls Christ her Beloved. Every desertion is not despair. Lord, I believe, though I must say, Lord, help my unbelief. His words melted me, yet, wretch that I was, I made excuses. The smothering and stifling of convictions will be very bitter to think of, when God opens our eyes. The soul went in pursuit of him; not only prayed, but used means, sought him in the ways wherein he used to be found. The watchmen wounded me. Some refer it to those who misapply the word to awakened consciences. The charge to the daughters of Jerusalem, seems to mean the distressed believer's desire of the prayers of the feeblest Christian. Awakened souls are more sensible of Christ's withdrawings than of any other trouble.

Verses 9-16 Even those who have little acquaintance with Christ, cannot but see amiable beauty in others who bear his image. There are hopes of those who begin to inquire concerning Christ and his perfections. Christians, who are well acquainted with Christ themselves, should do all they can to make others know something of him. Divine glory makes him truly lovely in the eyes of all who are enlightened to discern spiritual things. He is white in the spotless innocence of his life, ruddy in the bleeding sufferings he went through at his death. This description of the person of the Beloved, would form, in the figurative language of those times, a portrait of beauty of person and of grace of manners; but the aptness of some of the allusions may not appear to us. He shall come to be glorified in his saints, and to be admired in all that believe. May his love constrain us to live to his glory.

Chapter Summary

INTRODUCTION TO SONG OF SOLOMON 5

This chapter begins with Christ's answer to the church's request; in which he informs her, that he was come into his garden, as she desired, and gives an account of what he had done there; and kindly invites his dear friends to feast with him there, So 5:1; Then she relates her case and circumstances, which followed upon this, her sleepy frame, and ungrateful carriage to her beloved; which he resenting, withdrew from her, and this gave her sensible pain, So 5:2-6; what treatment she met with from the watchmen; her charge to the daughters of Jerusalem; and the questions they asked about her beloved, So 5:7-9; which put her upon giving a large description of him, by each of his parts, head, hair So 5:10-15; And the chapter is concluded with a general commendation of him and his loveliness, and a claim of interest in So 5:16.

Cantares 5 Commentaries

The Reina-Valera Antigua (1602) is in the public domain.