Apocalipsis 1:15

15 y sus pies semejantes al latón fino, ardientes como en un horno; y su voz como ruido de muchas aguas

Apocalipsis 1:15 Meaning and Commentary

Revelation 1:15

And his feet like unto fine brass, as if they burned in a
furnace
By which is meant, not his human nature in a suffering state; or his people, the meaner and lower parts of his mystical body, in a like state; or his apostles and ministers, who are supporters of his church, and run to and fro with spiritual knowledge, for which, though they suffer much, are permanent and glorious; but either the power of Christ in bearing up and supporting his people, in the care and government and defence of them; or his ways, works, and walks in his churches, and all his providential administrations towards them, which are holy, just, and righteous, and will be manifest; or his wrath and vengeance in treading down and trampling upon his enemies:

and his voice as the sound of many waters;
meaning his Gospel, as preached by his apostles and ministers, which was heard far and near; see ( Romans 10:18 ) ; and which made a great noise in the world; or his voice of vengeance on his enemies, which will be very terrible and irresistible.

Apocalipsis 1:15 In-Context

13 y en medio de los siete candeleros, uno semejante al Hijo de hombre, vestido de una ropa que llegaba hasta los pies, y ceñido por los pechos con una cinta de oro
14 Y su cabeza y sus cabellos eran blancos como la lana blanca, como la nieve; y sus ojos como llama de fuego
15 y sus pies semejantes al latón fino, ardientes como en un horno; y su voz como ruido de muchas aguas
16 Y tenía en su diestra siete estrellas; y de su boca salía una espada aguda de dos filos. Y su rostro era como el sol cuando resplandece en su fuerza
17 Y cuando yo le vi, caí como muerto a sus pies. Y él puso su diestra sobre mí, diciéndome: No temas; YO SOY el primero y el último

Título en Inglés – The Jubilee Bible

(De las Escrituras de La Reforma)

Editado por: Russell M. Stendal

Jubilee Bible 2000 – Russell Martin Stendal

© 2000, 2001, 2010