Isaías 22:5

5 Porque día de alboroto, y de huella, y de fatiga por el Señor DIOS de los ejércitos es enviado en el valle de la visión, para derribar el muro, y dar grito al monte

Isaías 22:5 Meaning and Commentary

Isaiah 22:5

For [it is] a day of trouble
To Hezekiah, and also Jerusalem, and all the inhabitants of the land: and of treading down;
the people of it by Sennacherib's army, like mire in the streets, when their cities were taken by him: and of perplexity by the Lord of hosts in the valley of vision;
in Jerusalem, besieged, and threatened with desolation; which threw the king and his nobles, and all the inhabitants, into the utmost perplexity, confusion, and distress; and all this was not merely from men, nor was it by chance, but by the permission and appointment of God, to humble his people for their sins, and bring them to a sense and acknowledgment of them: breaking down the walls:
of the fenced cities, with their battering rams, at the time they besieged and took them, ( 2 Kings 18:13 ) : and of crying to the mountains:
looking and running to them for help and succour, for shelter and protection; and crying so loud, by reason of their distress, as that it reached the distant mountains, and made them echo with it.

Isaías 22:5 In-Context

3 Todos tus Príncipes juntos huyeron del arco, fueron atados. Todos los que en ti se hallaron, fueron atados juntamente; los otros huyeron lejos
4 Por esto dije: Dejadme, lloraré amargamente; no os afanéis por consolarme de la destrucción de la hija de mi pueblo
5 Porque día de alboroto, y de huella, y de fatiga por el Señor DIOS de los ejércitos es enviado en el valle de la visión, para derribar el muro, y dar grito al monte
6 También Elam tomó la aljaba en un carro de hombres, y de caballeros; y Kir descubrió el escudo
7 Y acaeció, que tus hermosos valles fueron llenos de carros; y soldados pusieron de hecho sus haces a la puerta

Título en Inglés – The Jubilee Bible

(De las Escrituras de La Reforma)

Editado por: Russell M. Stendal

Jubilee Bible 2000 – Russell Martin Stendal

© 2000, 2001, 2010