Nombres 21:27

27 C'est pourquoi les poètes disent: Venez à Hesbon! Que la ville de Sihon soit rebâtie et fortifiée!

Nombres 21:27 Meaning and Commentary

Numbers 21:27

Wherefore they that speak in proverbs say
The historical writers of those times, among the Amorites, who were usually poets, and wrote the history of the wars between the Moabites and Amorites in verse; as Homer among the Greeks wrote the wars of Troy; and the compositions of those ancient bards were short and compendious, and wrapped up in proverbial sayings, and enigmatical and figurative expressions, that they might be the better retained in memory, and therefore were called proverbialists. Jarchi says, they were Balaam and Beor that took up their parables, and said,

come into Heshbon;
which words are the beginning of the song, and in which the Amorites are represented as inviting Sihon, and his nobles, to enter Heshbon, which he had taken, and make it his royal seat; or as encouraging one another to go into it and repair it, having suffered much at the taking of it, which seems to be confirmed by what follows:

let the city of Sihon be built and prepared;
that is, let us set about rebuilding of the city, and let us fit it up for Sihon our king, and let it be called his city, and made the place of his residence, his palace, and where his court may be kept.

Nombres 21:27 In-Context

25 Israël prit toutes les villes, et s'établit dans toutes les villes des Amoréens, à Hesbon et dans toutes les villes de son ressort.
26 Car Hesbon était la ville de Sihon, roi des Amoréens; il avait fait la guerre au précédent roi de Moab, et lui avait enlevé tout son pays jusqu'à l'Arnon.
27 C'est pourquoi les poètes disent: Venez à Hesbon! Que la ville de Sihon soit rebâtie et fortifiée!
28 Car il est sorti un feu de Hesbon, Une flamme de la ville de Sihon; Elle a dévoré Ar-Moab, Les habitants des hauteurs de l'Arnon.
29 Malheur à toi, Moab! Tu es perdu, peuple de Kemosch! Il a fait de ses fils des fuyards, Et il a livré ses filles captives A Sihon, roi des Amoréens.
The Louis Segond 1910 is in the public domain.